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Voicing a Standard – Dan Higgins Quartet
The latest offering by saxophonist and multi-instrumentalist,
Dan Higgins
will not disappoint. This West Coast session player is well-known
playing
on countless recordings, television shows and full-length
feature films
from the last 20 years. Read more about Dan HERE.
Unlike many of Dan’s most popular recordings which
feature a full
orchestra or big band, this Cd, Voicing a Standard, suggests
a more
intimate setting – the jazz quartet. Dan’s alto
sound is just – well,
perfect. If you look in the dictionary under “alto
saxophone sound”, Dan
should be standing there, holding his alto. Yes, his sound
is that good.
While I am a fan of brighter saxophone sounds, Dan Higgins
does not
possess a particularly bright sound. By the same token, it
is not devoid
of edge or projection. It is simply an old Meyer 5M on a
gold plated
Selmer Mark VI, played by a master of the instrument. We
can all learn
something about sound production from listening to Mr. Higgins
play the
alto saxophone.
Enough about his alto sound. Dan Higgins also breaks out
the clarinet with
a couple choruses on clarinet on the 8th track, Equinox.
His clarinet
sound is full, woody and not unlike that of Eddie Daniels.
Well, you can tell that I am a fan of Dan Higgins’ sound.
There are three
other musicians contributing to this ensemble as well as
Higgins. Jim Cox
plays Fender Rhodes. Michael Valerio is on bass and veteran
session player
Vinnie Colaiuta on drums. The quartet plays clever and sometimes
cute
arrangements of ten standard tunes. The ensemble playing
is tight (as you
would expect from these four) and the solos inspired.
In the end, three of the most dominating recommendations
reside on the
back cover of the Cd itself. Quincy Jones, John Williams
and Sammy Nestico
all give Dan kudos on his fine musicianship and wonderful
Cd, Voicing a
Standard. Why listen to me? You’ve got these three
telling you to listen!
Skip
SaxShed.com
Dave Koz – At the Movies
Every once in a while a Cd comes out with a lot of buzz
around it. This
happens in pop and rock music all the time but less so among
contemporary
jazz players. Dave Koz’s new release, At the Movies
is no exception. There
will be much to talk about with the release of this much
different
offering from Mr. Koz. Yes, much of Dave Koz’s music
could be pigeon holed
as “smooth jazz”, but At the Movies offers a
refreshing deviation from the
well-worn format.
At the Movies is exactly as the name applies. Dave Koz and
producer Phil
Ramone offer up 12 regular and two bonus tracks on the advance
copy I just
received. (1/26/07) From Over the Rainbow to Schindler’s
List, Koz’s
saxophone sound is soulful and melodic as he tells each story
on a popular
movie theme.
If it weren’t enough to feature Koz’s award
winning saxophone playing,
Phil Ramone put together a star-studded cast of duets with
Koz. Barry
Manilow, India Arie, and Vanessa Williams, Johnny Mathis,
Anita Baker,
Donna Summer and trumpeter Chris Botti all lend balance to
Koz’s sweeping
saxophone. The “stunning collection features a full
orchestra” - something
not heard enough behind pop instrumentalists today. The recording
also
boasts some clever studio tricks that blend the older movie
audio with new
tracks. Over the Rainbow, admittedly overdone by artists,
still sounds
fresh here.
Whether a fan of Koz’s playing earlier releases or
not, this one is worth
checking out. He can be heard in a different light and even
different
style on soprano sax. As Time Goes By represents Dave Koz
playing in an
older, somewhat lazy fashion, unlike what I’ve heard
from him before.
Just when you think you know a player, they surprise you
with a little
more depth to their sound, character or knowledge. Dave Koz
exhibits a
little of each here – enjoy.
Skip
SaxShed.com
Jazz Saxophone Duets
by Greg Fishman
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Greg Fishman has done it again! His new book, Jazz Saxophone Duets is
a great follow up to his first book, Jazz Etudes for Saxophone.
The Book and Three CD Play-Along Set offers 10 duets for
alto and/or tenor saxophone. As in the first book, Fishman
offers some valuable information in the preface. He covers
Idiomatic Conception, the Outlining of Goals as well as the Style and
Analysis of the duet writing. The 10 duets are straightforward and straight-ahead.
There’s
some fun, hard-swinging music to play with a grooving rhythm
section behind you. One of the best features of the book is the way it
is laid out. In the beginning it is set up for two same saxophones. You
can play two altos or two tenors and use the appropriate accompanying
CD. Half way through the book, Fishman offers the same duets for alto
and tenor combined. He also addresses the issue of range in a clever
and refreshing way. The alto andtenor parts both make perfect sense.
As he says in the preface, “If you’ve
ever tried playing an alto solo transposed for tenor (or
vice-versa), youknow that the transposed version o f the
solo never seems to “lay
right”on the non-native horn.” Kudos to Greg Fishman for
supplying the jazz saxophone community withanother winner.
This is certain to become a staple in many saxophone studios and on many
player’s
shelves.
Visit GregFishman.com or
purchase at Amazon.
S.S.
Set the Stage
By Randy Hunter
Randy Hunter has released a new Jazz Combo Series featuring
Small Group Instruction. “Set the Stage" combo books
provide a comprehensive method for starting a jazz ensemble
in a variety of small group settings. Selections in an assortment
of jazz styles make this an enjoyable introduction to playing
jazz for students of all age.” The series addresses
the problem of inadequate instrumentation found inmany school
programs. The clever series offers 3 available parts as wellas
rhythm section charts and conductor’s score. The first
part is written for alto sax and trumpet. The second part
is written for alto or tenor and the third part for baritone
sax and trombone. Congrats to Randy on this useful set of
arrangements suited for bands struggling for a full sound – without
full instrumentation.
Please visit RandyHunterJazz.com
Beyond the Horn
By Walt Weiskopf and Ed Rosenberg
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Every teacher has had a student who out shadows all others
who came before. Ed Rosenberg was “that student” for
me. I had the pleasure to work with Ed for about 5 years
as a private saxophone student of mine. He always kept me
on my toes and it was a great pleasure to help prepare him
for a career in music. Ed went on to Eastman School of Music
in Rochester, NY. There he studied with both Ramon Ricker
and Walt Weiskopf. Now Ed and Walt Weiskopf have penned this
very comprehensive (and challenging book) entitled Beyond
the Horn. The book is filled with strategic exercises and
patterns based upon using larger intervals and octave displacement
in improvisation. Following the exercises are 20 skillfully
written etudes to further demonstrate the concepts. Many
of the etudes are based on jazz standards, further connecting
the advanced concepts with common jazz literature. This book
offers a challenge to any saxophonist looking to further
their improvisational abilities. The exercises and etudes
also offer ample opportunity to work on agility and facility
as well as comprehensive sightreading.
Purchase Beyond the Horn at Amazon.
S.S.
Redi-Reed: Innovative
Mouthpiece Cap
by Bob Quaile Sr.
Bob
Quaile Sr. of Somerdale, NJ has come out with an innovative
twist on an old design - the mouthpiece cap. The new "Redi-Reed"
mouthpiece cap is ideal for doublers. It's simple design facilitates
the mounted reed always being ready for the next entrance.
Inside each cap is a sponge which keeps the reed moist at
all times and ready to play each time the instrument is picked
up. Although the design is quite simple, many players can't
understand why Redi-Reed or something similar wasn't invented
sooner. Sometimes the best ideas are the simple ones...
Redi-Reed is expected to retail for $19.95 US Dollars
Redi-Reed will soon be available in most music stores. If
your local store doesn't already stock Redi-Reed be sure to
ask for it.
All inquiries can be directed to:
Robert Quaile Sr.
10 Haverford Ave.
Somerdale, NJ 08009
This material was reviewed by Skip Spratt
Complete Jazz Styles
ETUDE & DUET Books
for Wind Instruments by Randy Hunter
A review by Skip Spratt
Saxophonist Randy Hunter of Woodstock, GA has released a
series of books intended to introduce jazz playing and "make
music fun for students & teachers."
Several of my intermediate students in my private studio
have been sightreading through the material and playing along
with the CD during lessons.
The Introductory Etudes in Jazz Comprehension books are well
written and easy for younger students of jazz to digest. Volume
1 gets their feet wet playing jazz and volume 2 continues
with more difficult material suited for a good middle school
or high school player.
The CD is well done with tenor sax and rhythm tracks to follow
along. This new collection of books will be a great addition
to any jazz teacher's collection of books and CDs.
Randy Hunterjazz.com
Practice
Like the Pros
Sue Terry
Sue
Terry's new book "Practice Like the Pros" is a great resource
for intermediate and particularly advanced saxophonists. The
book and two cd set offers an insightful look into the practice
routines of several professional saxophonists in the New York
area. "Included are exercises and tips relating to tecnique,
tone and intonation, musicianship, scales and chords, articulation,
ear training, and much more."
The book delivers both written explanations of all the excercises
and the cd offers verbal and musical examples by each of the
20 "pros". Both men and women, classical and jazz saxophonists
are represented. There is definitely something for everyone
in the 40 pages and two cds.
Each exercise or example is presented by artist in alphabetical
order, not in progressive order. Some of the examples are
rather rudimentary, yet others are quite challanging. Younger
players with less experience will need some direction with
this reference. Any qualified sax teacher should be able to
guide them with the task. The book lists at $16.95 in the
US.
The high-gloss cover will likely attract younger players,
however it really seems best suited to the more advanced player.
A good, self-motivated high school or college student who
is looking for a challenge or a new perspective can benefit
greatly from the use of this package. Teachers and professionals
alike should also find many ideas for their own practice or
their students'.
Thanks to Sue Terry for organizing this varied group of professional
saxophonists. Their insight is invaluable and the material
an inspiration...got to go shed now!....
http://sueterry.net/
This material was reviewed by Skip Spratt
Jazz
Saxophone Etudes by Greg Fishman
A review by Skip Spratt
Chicago based saxophonist Greg Fishman has recently released
an astounding publication for intermediate to advanced players.
The Book and Two CD Play-Along Set contains 15 well organized
pages followed by the 12 wonderfully written and executed
etudes. Fishman's sound is intoxicating - full, fat and robust.
The rhythm section swings like crazy behind him and ultimately
behind YOU on alternate background tracks.
This is among the best jazz saxophone publications I have
seen in recent years. Every teacher and student of jazz needs
this book in their practice room or studio - get one!
Greg Fishman.com
Greg Fishman
Jazz Studios.com
Jazz Style
and Technique: Creative Jazz Sight Reading
by Brian J. Kane
Saxophonist and Flautist Brian J. Kane of Boston, Mass. has
premiered a set of new books from Jazz Path. The two books
on Jazz Style, Technique and Sight Reading offer the young
saxophonist an ample opportunity to discover more about jazz.
Several of my intermediate students in my private studio
have been sightreading through the material over the past
several weeks.
The books are well written and easy for younger students
of jazz to digest. An accompaniment CD would make this helpful
set even better.
This new collection of books will be a great addition to
any jazz teacher's collection of books and CDs.
JazzPath.com
A review by Skip Spratt
Ron Kerber 'Round in
Circles
Ron's Kerber's time has come to step out with his very own project
- 'Round in Circles. His first solo CD takes the listener on
an emotional journey accross three saxophones. His soprano is
sweet. His alto simply sings and his tenor resonates, reminiscent
of many and yet similar to none.
Ron Kerber has carved out an enviable niche for himself on
the Philadelphia music scene over the last 20 years. Many
saxophonists might also recognize Ron Kerber as being the
co-author and transcriber of "The Best of David Sanborn"
for MCA Music Publishing.
Ron also has been a contributing member of the contemporary
jazz band "Pieces of a Dream." His arrangement of
"How Do We Keep the Music Playing" has received
critical acclaim and continues to get regular airplay on smooth
jazz radio stations across the country.
'Round in Circles provides a wonderful showcase for Kerber's
compositional talents and saxophone skills. Fellow Philadelphians
Miceli, Thompson, Ridl and Nero provide a solid - though never
rigid - foundation for the ensembles' interplay.
'Round in Circles is one of those recordings which requires
several listenings to fully digest. There is much to discover
with each new pass. Ron Kerber is a man blessed with many
talents. His solos are always melodic, never moving forward
without a purpose. It's refreshing whenever you can witness
the cream rising to the top.
To know Ron as a friend, colleague and former teacher is
an honor. Thanks to him for the wonderful music.
www.dreamboxmedia.com
This material was reviewed by Skip Spratt
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